or: Ben van Berkel meets meso. Portikus/Frankfurt 2007.

ampop during the setup

In the last month I was part of a really nice project here in Frankfurt. Let’s start with some official words:
“Ben van Berkel & the Theatre of Immanence is a combined art and architectural exhibition wherein the different parts in the exhibition are synthesised into a complete whole. The exhibition stages a theatre or space of communication: communication between the visitors and the exhibited works, between the virtual and the real, between the different visitors in the gallery and between the different parts in the exhibition. Throughout its period, the architectural installation will serve as a hub for various events including lectures, art performances, and hosted talks with invited guests, DJ-sessions that are to be broadcast and more.”

Our part was developing a solution for projecting on the piece of architecture, and developing and implementing the interaction. We created a vvvv application which enables us to use the 3dimensional surface for our projections in a very comfortable way, and allows to using more than typical 2d content but also things like volumetric textures and virtual lights. We called it “a case study in augmented architecture”. It is an attempt to create a reactive surface of extraordinary spatial complexity.
The interaction works over the internet - you can try it here (only when the exhibition is opened).
The exhibition ends on January 13th.

Some of my photos made during the setup (that’s why the projections are not fitting perfectly!):

official post at meso.net / official site Portikus / review art-magazin (german) / review transform-magazine (click “interior”)

A net art project - mirror of world’s society, live and democratically

A selfmade VJ tool, programmed in VVVV.

An audivisual performance at the a=v Festival, Munich.

An interactive installation.

A generative graphic work about coincidences.